
Marwa Loud Goes Bouyon on ‘PIM-POM’
Marwa Loud tries bouyon on ‘PIM-POM’, a Caribbean-flavoured single and video about a woman who knows what she wants.
Longer reads on the scenes, deals and shifts shaping African music — the context behind the charts, across the continent and the diaspora.

Marwa Loud tries bouyon on ‘PIM-POM’, a Caribbean-flavoured single and video about a woman who knows what she wants.

NO11 and Gabzy’s ‘Coachella’ is a cheeky money anthem with a video to match: NO11 signs an athlete’s contract and holds a ‘Rookie of the Year’ press conference.

The ‘Gumba Fire’ video from Focalistic, Optimist Music ZA, Benzoo, Mellow & Sleazy and Mr JazziQ has passed 5 million YouTube views, a month after release.

Seyi Vibez’s 14-track SWAGUU is out now. Burna Boy is executive producer, and Quavo on the closing title track is the album’s only feature.

Six years of grinding produced a modest following. Thirty minutes of prompts produced a chart hit in four countries. Elvin Cena’s ‘Let Me Be’ is the biggest song of his career, and the one he is least sure he gets to keep.

Before ‘Sade’, Adekunle Gold was YBNL’s in-house graphic designer — the man who drew the logo the label still uses. Nearly ten years after Olamide signed him, the two finally have a song, and it carries all of that history.

Focalistic, Uncle Waffles and ShaunMusiq’s ‘2 Spin Jikeleza’ is a dance record with a video to match, built on choreography and a hook that tells you exactly what to do.

Where “Where Do We Go” asked questions, “Tornado” delivers answers. Ayra Starr sounds like an artist who has stopped waiting for permission — and Starr Girl now looks like the album that defines exactly who she wants to be.
The Plutomania aftermovie from Iconiq Fest 2025 is here. Shallipopi, Zerry DL, Famous Pluto, a surprise Burna Boy appearance, and a TurnTable Charts No. 1 award — all captured in one film.

Burundian artist Shim in the Cut surpasses one million views with his amapiano record ‘Pina Colada,’ proving the genre’s reach now stretches deep into East Africa and the diaspora.
Four questions, answered in plain text, marked up as FAQPage.
Longer analysis and reporting: scene reports, deal breakdowns and interviews that do not fit the release cycle.
Yes. Signings, streaming economics, touring and festival programming across Europe and Africa.
Typically eight to fifteen minutes. Reading time shows on every card.
Staff writers and contributors based in Lagos, Nairobi, Johannesburg, Paris and London.
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